5.29.2007

Burning the old life

Every warrior's boot used in battleand every garment rolled in bloodwill be destined for burning,
will be fuel for the fire.
We burned everything left over from Linshuang's 9 months in New York. Client presentations, business cards, plane tickets, hotel stationery, bank statements. This is our altar, a burnt offering of sorts that recognizes that the final offering has already been made, and that our peace comes only with substitution. It is liberating to destroy the artifacts of the past, while creating an artifact of liberation itself.

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5.09.2007

Tech: Long-awaited amp post

Gear nerds, at long last: AMPS.

Live setup diagramTSL 100, MOSFET slave, and 5W Valve Junior (not used for Rosetta)
This is the live setup I've been using since about early 2005. The only change in all that time is that I now use a Marshall TSL-100 for a master head, instead of an AVT150H. The AVT150 + 1960B was what I used recording TGS and Project Mercury. The TSL wasn't a huge improvement right out of the box, but afforded MUCH more opportunity for tinkering, so it is currently being used with the same old 1960B to record the new Rosetta full-length, "Wake/Lift" (which will be out 9/28/07 on Translation Loss).

The pedal setup was posted before. I use no distortion pedals, everything on the board front-ends the amp, and all the drive comes from the master amp. Each guitar head drives a single 4x12, and the bass head drives a 4x10. The bass head is useful because our tuning (Bb F Bb Eb G C) is low enough that a guitar cabinet can't reproduce the fundamental frequency of the lowest string. Having the low end reinforcement means the 4x12s don't have to be driven as hard.

Nearly every component listed has been modified in some way (though the old AVT head was completely stock, no modifications). All of my guitars are also electrically modified, so the "Rosetta sound" or whatever you want to call it is not really created by any one piece of equipment. It's more the result of a laborious process of matching different components to each other, and when it doesn't fly, breaking out the soldering iron and making it work better.

TSL-100:
- JJ EL-34L + ECC83s hi-gain tubes from Eurotubes (noticeable improvement, + more headroom)
- 1 390pF cap in V3 and 2 47pF caps on volume pots for treble roll-off on Lead/Crunch channels, per this thread (huge improvement)
- FRED rectifiers to replace stock 1N4007 diodes [some info here] (jury's still out)
- 10H Choke from Mercury Magnetics (noticeable improvement)

3210 MOSFET:
- Stock Hitachi MOSFETs burned out, replaced with Magnatec BUZ900/905, +25W power gain

Hartke HA3500:
- JJ ECC83s tube swap

1960B:
Replaced two stock G12Ts with Vintage 30s. Now has 2 G12s and 2 V30s. We mic the V30s for recording.

Homebrew cab:
Was once a Crate 80W 4x12 (?). Now 300W with 4 G12Ts like a stock Marshall, but with its larger size, sound resembles a Sunn0))) 4x12. Rewired with switching jacks for selectable 4/16 ohm impedance (like a Marshall).

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Eventually I'm going to put up a permanent page on here for amp/guitar mod stuff that I do, with as many of the associated hard-to-find links as I can dig up. I have also been working extensively on two Valve Junior heads lately which have been doing stereo duty with my Frankenstein-like Telecaster and a delay pedal in Temet Nosce. This setup will also make a brief appearance on the new Rosetta.

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